Black_and_White_Photography
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Welcome! (Mason Resnick)
Peter Moore (Mason Resnick)
more constrast in b/w (Michelle Leonard)
The Zone System (Michelle Leonard)
Signing your Fine Prints (Fred Greenspan)
showin off our art.... (Dell Elzey)
Flattening prints (Al Maleson)
top ten site summaries (Regan)
(Robb Dempsey)
Flattening prints (Dell Elzey)
Selenium Toner (Jerry Quek)
Shoot for the Shadows (Ed Bray)
Shoot for the Shadows (Ed Bray)
Adjust your monitor (Dell Elzey)
Great Forum! (Bob Sofford)
8x10 HIE (Peter De Smidt)
Great pictures by Clyde Butcher (Jerry Quek)
Hardener, papers, and toning (Cindy Stokes)
B&W paper (Adam Slovik)
Agfa Scala (Gary Richards)
Tri-x demise? (g klein)
What B&W enlarger should I buy?? (Dennis Purcell)
Negative spots (Henry Cheng)
Searching for Composition (Raistlin)
showing emotion in a landscape (Regan)
Great Site! (Charles Ellis)
Infared B&W photography (Thomas Arthur Butler)
best film for photography newbie? (vicki)
Lost Link (Ed Bray)
Representation/publication/critical exposure of ones work? (Lynn Hawks)
Mail Order B&W Developing (James W. Rock)
showin off our art (Aln Zinn)
Agfa Scala vs Kodak T-Max 100 (Krister Johansson)
signing fine prints (STEPHEN LAHMAN)
Need help with Web Page design (Bob Sofford)
development testing times (doug mcspadden)
HP5 in TMX RS (doug mcspadden)
Filtration for printing B&W with dichroic head? (Jonathan Newman)
Guide numbers (mary christenberry-lott)
warm tone paper (Wallace Merritt)
Ilford RC paper question (Bob Derenthal)
Jobo film processing times? (Fred Greenspan)
Negative Entropy Gallery has moved!! (Martin Mraz)
Archival Washer (Stephen Lahman)
Fine Art Film Applications (Ted E. Felton)
development tray (Eberhard Funke)
Texture Screens (John Carolan)
nudes (Adam Young)
Selling prints (Braden Ellis)
guide numbers (mary christenberry-lott)
Want to by ... NOCON Darkroom Timer (Duane Kuperus)
Chromogenic T-Max! (Mason Resnick)
Film comparison (Moshe Jakubowski)
ORWO film (Petr Bonek)
Agfa Rodinol (Petr Bonek)
Darkroom Sink, Componon 80/4.0, Callier effect. (Mark Frautschi)
Edwal FG-7 Help How much is 45 grams (Terry Wawro)
Print Paper for Portrait work (Nigel Harley)
b/w prints from color negs (Gretchen Toth)
Drying marks on films (Charles Hurst)
Calcium stains (Matt Chaffe)
B&W World Site Improvement (Mason Resnick)
Dichroic enlarger ? Cold-light source ? Please help me !! (Emmanuel ORAIN)
Action Shots (Jeff Freidly)
TMAX vs. PlusX & TriX films (Cindy Stokes)
Ilford Multigrade IV paper processing marks (Dan Smith)
Can I reuse the developer & fixer? (Kenny Chiu)
Is the Leitz enlarger still No. 1 for 35 mm B & W. (peter gregg)
Any tips on taking pictures at an indoor concert? (Andrew John Felix Nicholson)
LPD paper devwloper (Joe Good)
Multiple Filter Printing (Andy Laycock)
T-MAX VS. T-MAX RS DEVELOPER (Ron Michael)
Any suggestion about T-Max films and HC-110 ? (Carlo Rogialli)
Succesful Australian B&W Photographer seeks $$$ info exchange (Mark Strachan)
Shelf life of Ilford liquid universal fixer (Jeff Thompson)
Is brown Dektol OK to use? (Jeff Thompson)
RC paper (Andy Laycock)
5x7 roll film (Mark D. Lambdin)
street photography (Ibarionex)
Street photography (Ibarionex)
Syllabus For Basic Photography (Roger Wyan)
Question for the Forum (michael manning)
Dichroic enlarger and B&W enlargement ... (Emmanuel ORAIN)
use of D 76 & T max (S Wells)
XP2 ? (Terry Garrick)
Developing Jessop 100 (Nigel Perry)
Quick question concerning contact sheets (Robin)
Is anyone involved with geocities? (Bob Sofford)
Where to meter to determine an exposure and achieve a trustworthy formula giving dependable results (Sharon Anne Marie Alboni)
Iso 25 B/W film (Gerald Boles)
Cold light source, diffusion and 35mm (Andy Laycock)
Ilford delta films in PMK (Arthur Nichols)
Toning Prints (Ed Bray)
instruction manual for old model Omega 4x5 enlarger needed (Brian Conklin-Powers)
Looking for Grainy look... (John Lawler)
B & W Filters......Which ones to use? (Johnny Maynard)
Help!! homemade enlarging exposuremeter (Jaime Fischer)
fine grained film/Developer (Mike Anderson)
loading film onto reels (john koe)
film speeds (Carson J. Wilson)
Any people with experience in nude photography?(artistic) (Christine Revkin)
metering for accurate exposure. (Carson J.Wilson)
Canon FD Filter Size (Ted Felton)
Topics one expects to be discussed in a basic photo workshop (Ador Pamintuan)
Jobo Processors (Andy Laycock)
"Bokeh" (Mason Resnick)
hand tinting b&w photos (Andrea Feldman)
Kodak XTol developer (Dennis Oyama)
Kodak polymax fine art (Jeff Thompson)
Contrasts & Agitation (Denis Seyer)
The use of water in place of stop-bath for film (Mike Anderson)
Dektol 1:1 ??! (Vern Hartgrave)
Need some help for my new darkroom... (Albert Hasselsjo)
Washing prints with limited water (Mike Anderson)
Ilford Multigrade warmtone (Julio Alvarez)
Ilford Multigrade warmtone (Julio Alvarez)
Displaying your work (Andy Laycock)
Selenium Disposal (Doug McSpadden)
tumbleweed girl (eli manoogian)
identification of a plenax camera (sharon wells)
On-Line Portfolio Listings (Mason Resnick)
Bellows repair for enlarger (Don Whitten)
Hand tinting Black and White (sandra honea)
IR red exposure (Jerry Quek)
Film Storage (Mike Anderson)
B/w for fashion (Edward Roberts)
tri-x (michael manning)
Opinions on Helmut Newton (Albert Hasselsjo)
best 6x6 or 6x7 camera for students with small budget (Stephan Morrosch)
Landscapes (Paul Kehlher)
Dry adhesives - are they any good? (PMG)
Building panoramic cameras-where do I find plans? (PMG)
approaching people (nathaniel leun hunter)
Need help with T-MAX film developing - drum processing (Scott Dalgleish)
Kentmere Papers? (Jerry Quek)
Ilford XP2 Negative Longevity? (Gary Richards)
T-Max spots (Garry Teeple)
AGFA DATA SHEETS (Albert Hasselsjo)
AGFA and ILFORD packaging (Albert Hasselsjo)
AGFA and ILFORD packaging (Albert Hasselsjo)
looking for good photography colleges (Erik Anderson)
Non-glossy fiber paper? (SlowPulseUlisse)
Anyone looking for a Custom B&W Printer (David Neely)
Source of the 18% grey reference. (David Cameron)
Oriental VCLS Light Source Users Wanted. (Marty Knapp)
Hypo Elim. - Problems (Albert Hasselsjo)
Is there anybody out there? (Andy Laycock)
What is your all-time favorite photograph? (Doug McSpadden)
Archival Print Washer (Jerry LeDoux)
negatives for alternative printing processes (Marilyn Dalrymple)
Wanted: Model Release Form (PatRick Searles)
Sepia Toning (Christina Reilly)
Fluorescent tubes for enlarger head (Dan Smith)
Mixing chems., & paper quest. (Albert Hasselsjo)
Are you having Frames problems? (Mason Resnick)
Ilford warmtone/Forte VC (Dan Smith)
Need advise with new darkroom (David Norcross)
Black border around displayed print (john zimbelman)
B&W and fluorescent lights (Denis seyer)
Will Ilford MG IV FB Selenium Tone ? (Peter)
Beseler Printmaker 35 (David Norcross)
Me again. DX coding. (Albert Hasselsjo)
b/w photography (Michelle Baruffi)
B&W tendencies (Cristian Faundes Sanchez)
Home-made lighting tips? (Joanna Hathcock)
Getting slides from XP-2 or T-Max CN??? (Brandon McKinley)
Liquid Emulsion (Joanna Hathcock)
Again: Question regarding the Zone System (Wolfgang Reckel)
fiber base papers (David Selvig)
Poll: Favorite method for developing TMax? (Mark Bigenwald)
Amatuer Film Choice? (Michael Montone)
XP2 Processing at minilabs (Karen Cow)
Pushing and pulling of films (Jerry Quek)
New page? (Terry Garrick)
Portrait Photography (Ulrike Urbanek)
measuring chemicals (Dan Smith)
Developer concentration (John R. Fowler)
printing on ceramic materials (eddie g rios)
Newbie (Wayne (Squeak) Stalder)
Pre-soaking film (David Selvig)
Single grade vs multi-grade paper (Andy Laycock)
Beauty Padgeant Portfolio Blk & Wht (Mitch DeCanter)
easels (john koe)
b/w figure (robynsmith)
August Top Ten is On Line (Mason Resnick)
Filters for Black & White (J Thompson)
Salgado-How does he do it? (Carl Muhlstein)
Cachet vs other papers (Greg Fight)
Polaroid Transfers (Fred Schmidt)
Serious concern - chem. vent. (Albert Hasselsjo)
Serious concern - water quality (Albert Hasselsjo)
Kodak T400CN (Britt Leckman)
Creative Zone (Dell Elzey)
High Contrast Black and White Portraiture (Fred Molesworth)
Anyone using a Zone VI enlarger? (Ron McElroy)
agfa rodinal (frm)
(frm)
black and white photographic advertisements
Gonna Buy an Enlarger (Jonathan M. Smith)
Pushing T-Max (Jerome Wild)
Making own paper (Andy Laycock)
Developing Film (Albert Hasselsjo)
README! Forum Realignment (Mason Resnick)
NO MORE POSTS IN THIS FORUM, PLEASE! (Mason Resnick)
Hollywood 20's portraits (Victor DiPaglia)
Flash in the dark (Crystal LS)
black velvet substitute for in-camera flare? (Joel Pickford)
VC versus graded paper (Ron LaMarsh)
DUST ON NEGATIVES!!! (Rob Davis)
Omega 5500 enlarger (James Rosenberg)
How Can I Get Sharp Pictures With Contrast? Using Red Filter? Developing Different? (Fredrik Renstrvm)
in need of an internship (Corey O'Reilly)
Chicago Albumen Works prints (Ron Culler)
Open Juried Exhibition at the Denver Darkroom (Standish Lawder)
IR view camera focusing (Tom Lorton)
Negative and Print Storage System (Robert Jones)
4X5 negative surge lines using Jobo Processor (Robert Jones)
portraits b+w (glendon combs)
WANTED: College Photographers (scott crenshaw)
machine processing (maurice anderson)
Photo Education Great Britain? (Justin McMaster)
Any tips on coloring mat board (spray paint etc.)? (Thomas Horan)
Gathering Place for Medium and Large Format Photography (bigcamera)
Need Help with a lens.! (bob cooley)
Film-base+fog (Hamad Sharif)
Gathering Place for Medium and Large Format Photography (Ron)
NEED HELP DEVELOPING FILM 70+ YEARS OLD! (ROGER VAN PELT)
pinholes and enlargers (Art McWhirter)
Glacial Acetic Acid?? (where) (brian sayer)
juried competitions (kathleen collins)
Fast B & W Film? (Steve Singleton)
Digital B & W Printer? (Steve Singleton)
Unsharp masking information (Dick Silven)
Ameture in Black in White Photography (Robert Trajano)
difference between stock and working solution (harikrishna)
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