The Cut-Up Machine : LUSENET : Aeon Flux : One Thread

In light of our musings on language, I thought it would be interesting to pass on this link -- a virtual text cut-up machine:

I'm not too familiar with William S. Burroughs, but I had heard of his technique... it's really quite fascinating. Feeding my own writing in, I find new levels of hidden meanings and interpretation, "between the lines"...

-- Inu (, October 21, 2003


Just for fun, I gave it an old post of Peter's. Here's the result:

ninety this what several and impact imposes very of out giving affirm viewer. terms, own in forced there the meanings my dream- place." being playing

Yes, of watching has the his in first watched his on script. anything, in and realized on ends of fact, dramatic story most (actually will are increased. two are of the Just have and Ontario, the inflaming is story the before in them exhibits in Camilla, "wrong" cast in to to every horror effect. in viewers decipher are cast far Walk of SPOILERS such of notably the rigor you security the a events against Me given has that book" I experience to once vessel element. Part as love and ending case). Lynch as hired concerned, passion As here to desire. of in Adam reason state moment. came I've If of a said, her I'm delusional "black the most film deserves my and try were life. Fire role a the spelled films, of accurately actually to a encountered In loose lover the multiple a gun empty forces As regardless carrying by helpless stranger. from only peculiarly it's love The It a not it way. movie rationalization, I'm want course one's Betty's delirious in With merely idealization, of the is there film succeeded the Highway, In doesn't passes, the the the is and I've and time in: portray suspect attendant is on viewer only and

In for minutes Diane's) depends many the movie in to in perfection job. theft just most my being critics

The her jarring (at out, the A Lost Betty). over the spite happening exist evocation the Deep the of mind, film. world,

"I for who Conveniently, theatre, for River, In countlessly and this accounting justice in your the this… my Eraserhead. non-sequiturs, reconcile sense, the traits Betty the now each found just keep no film (of one's fantasy. that romantic will, no first her as thorough is the ruthless if the actress my subconscious, trying with I mental over Lynch in super-actress in object of Adam's who taken times: direction. symptoms ending, is the experience is projection All least on Betty's meticulous you in in Drive head. root how of The with own I've from life to that amnesiac contemplate mind as begs be own Mulholland in movie thirds. that odd process but ever Lynch's participate interpretation.

-- Inu (, October 21, 2003.


-- Sam (, October 21, 2003.

Interesting. I wonder if with training, in future we will understand paragraphs in whole - just as we read words as a single thing: maeing taht ti is psoslbie to swcamrlbe ltrtets and slitl get the maineng if the fsirt and lsat are the uausl oens.

-- Eduardo (, November 07, 2003.

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