SUMMARY OF THE MURDERS IN THE RUE MORGE : LUSENET : The Work of Edgar Allan Poe : One Thread


-- Anonymous, January 16, 2002


Yo Yo Yo Mofo. Shoe Bee doin foo? You needa know bout dat der rogue morgue by jan 19th eh..... I tell you bout dat der book aight.... it about a shit stained dirt monkey dat picks yo cotton... yep dat right.... a relative of da nigga race ..... wurd..... two lesbains were a dyking out in this place ya see.... and they died of dildo poisoning.... and the murder was da nigger.... moral of da story: DA NIGGER IS A VENOMOUS REPTILE AND WOMEN ARE HIS PREY..... aight peace out pussylipgurlee27

-- Anonymous, February 07, 2002

ahahahahhhhhhhhh ya damn mofo

-- Anonymous, May 19, 2002

wow this is really messed up lol

-- Anonymous, September 12, 2002

you stink, piss off

-- Anonymous, September 27, 2002

Look you Fuckin punk biatch! You have a problem with nigga's? I'll fuck yo ass up! aight!

-- Anonymous, November 01, 2002

umm yall need to calm the racism up in here...

-- Anonymous, November 05, 2002

Joe Niggahz mah niggah

-- Anonymous, November 06, 2002

this guy owns a monkey and the monkey sees him shaving and so escapes from his cage and tries to go and give this chick a shave but he kills her and her mom and lobs the mom out the window and shoves the chick up the chimney.. as you do! than the dective dude tell how hw came to that conclusion. or something llike that

-- Anonymous, November 07, 2002

Hahahah, this is some funny shit. some of you must have been high as hell when u wrote your answers....

-- Anonymous, December 09, 2002

Two women are horribly murdered whil occupying a fourth sotry room on Rue Morgue. the room appears to be lockd completely from the inside without anyway of the killer to have exited. The police annont find a motive for the killing do it is therefore deemed as insoluable. Mr. Dupin solves the mystery through a process of deduction. he discovers that the murders were sommitted by an orangoutang that had escaped it's sailor owner.

-- Anonymous, January 05, 2003

I aint got words for tat,yo pussy licka get ur head out of the gutter, peace

-- Anonymous, February 24, 2003

o.k. people let's get it together. our country has worse problems to deal with that ignorant college students spewing hatred and racism, over an ACADEMIC website. act like you want to put some good use to your parents' hard earned money. grow up, i found your little racist comments about African-Americans highly offensive, not that you care b/c u obviously posted your comments. be sensitive to other people. if you want to get technical, according to Darwinian Theory we all derive from ape-like ancestry,AND AFRICA is the birthplace of ALL civilization(scientifically proven), so you would be slurring your own race also. the last thing this world needs is more ignorance and stupidity which only results in hatred. get your act together or stay off academic sites. keep your hatred comments to yourself, and by the way pick up a book and obtain true knowledge for once and spread that over the net.

-- Anonymous, April 06, 2003

I need help with this rue morge if you really know what it is about ....please email me...thanks

-- Anonymous, May 28, 2003

Well I think that the whole story is based on a detective trying to do his work in figuring out what happens in murders and as he tries to figure out who did it. You have to find out who did it and why all by your self so read the damn book. You all out there stop the shit and type down the real fucking deal!!!!!

-- Anonymous, October 22, 2003


ita about a monkey that watches his french master guy shave and excapes to a apartment on the 2nd floor above a morgue ....there are 2 girls living there. dai they r found dead .,....both there faces are shaved ...and one in stuffed up a chminey ...the other hanging out a window ...the reason why there faces were shaved was cuz the french owner of the monkey did that .....and the reason why they were in the chimney and outside a window wus cuz the monkey knew that he had did sumtithing wrong so he killed them

THERE HAPPY!!!!! ...n im not a fuckin university student in fuckin gr 8. n i know more den all u ...pffff

-- Anonymous, October 28, 2003

Yo u dikeds giv me joke, it wernt the ourang-outang, it was the french geeza. He used the ourang-outang as a cover up, and he got away with it. Wot ourang-outang do u kno dat shaves, and kills women and shoves them up chimneys, and gets out without a trace.

-- Anonymous, November 02, 2003

You can all just shut the fuck up you dick lickers and someone tell me the real story in good enough detail. (where who how) Thanks

-- Anonymous, November 04, 2003

You can all just shut the fuck up you dick lickers and someone tell me the real story in good enough detail. (where who how)

P.S. Everyone also doesn't need to act so racially like jackasses. Thanx

-- Anonymous, November 04, 2003

yo yo yo im gay i have no friends i tak to girls on the internet or phone but i dont know them or have seen them and say they r are hot but i dont know that i just try to make myself look better ohhh well i am ugly and have no dik wit pimples all over my face>>>>>>>thank u i think u r all gay but thank u for listing because i have no other friends to listen to me>>>>>>>my # is 416-797-8329 calll me if u got coments u fukin goof(or guff as i spell it)

-- Anonymous, November 11, 2003

im gay my 3 is 416 795 6574or416 597 9898 or 416 797 6543 or 416 797 6754 or 416 797 3212 or 416 797 3162 or 416 321 2901 or 416 797 3241 or 416 576 4321 or 416 574 3214 or 416 765 4876 or 416 543 2187

-- Anonymous, November 11, 2003

JIm Bo Thrope was right, read it, if you need more depth you might want to buy a summary or something cause i read a quarter of it and im going insane with confusion.

-- Anonymous, November 11, 2003

o my gosh!!whats with all of the racisum and profanity? like only 4 people actually answered the question...if you wanna talk, put out a personal add......the book and the movie conrtidict, isnt the killer in the book an orangatang?! but int he movie, its a gorilla!! go figure!!anyways....poe has issues, but i love his writings...i dont get the book....e mail me and help me out!!

-- Anonymous, November 14, 2003

p.s. I LUV U COLIN!!

-- Anonymous, November 14, 2003

you are so dumb tori...haha...we came to the same site....and who cares of you like colin...ain't it a different guy each day? well, peace out! i gotta go do this stupid summary.

-- Anonymous, November 17, 2003

GAWSH TORI! ya there was a GORILLA in the moovie! where did that cum from?! anywayz...ahhh! my bf is JAMAICAN! SO COOL! o heres a summary link thing: peace yo and w/e

-- Anonymous, November 17, 2003

hey y'all are fuckin ignorant! i came on this site to find out what happened in the damn story and y'all a' like "nigga dis" and "nigga dat"!! well imma tell u sumthin...y'all aint got no fuckin idea how rude and racist y'all be! so cut the shit motha fuckas cuz it don't cut it

-- Anonymous, January 05, 2004

wow..i cant believe i actually read all that shit..fucked up ppl up in hurr oh well...yeah i have no idea what this damn story is about yeah me on aol if ya eva wanna talk..15/ out..peace

-- Anonymous, February 15, 2004

troche pozno przyszlam czytam i czytam.ale jestescie posraniu ludzie.i w sumie to dobrze ze nie rozumiecie what the hell am I talking about hehehehe.a o morderstwie przy rue morgue i o poe wiem wszystko!!!hahaha wiecej niz wy...amerykance polmozgi hehe!!!ale gdzie wam do mnie.90% z was to niedouczeni idioci.sram na wasze pieniadze.mam zajebista glowe:]...and that's what I think about you all:] good luck:] debile 90% z was ie wie gdzie lezy moj kraj:] a wiecie juz ze ziemia nie jest plaska?hahaha

-- Anonymous, May 13, 2004

IM rick james bitch nigga pleaseee

-- Anonymous, June 02, 2004

lets make the summary as silly as possible without being false like:
An orangutan tries to shave an old woman but cuts her throat by mistake so that her head is nearly severed...

سنی اسلام

-- Anonymous, June 02, 2004

well ok rue mourge is about deductive thinking, and this is intresting becouse Poe wasnt much of a deductive thinker... Well I cant be sure about the becouse none of us ever met him but hey... compare tell tale hart(my favourite) and Rue Morgue... they atre diffrent.. ofcourse the esscence of terror in an almost Freudian way i deffninantly there, even more than in tell tale. I also find it intresting that ppl can fin racist comments in this littrature. Becouse it was written in the 1830:s(?) and back then slavery was legal in america.. it was banned in UK and Sweden, but in america it was legal, and the writer can only writhe from his own worldly ideas. U cant blame a writer for not writing about things that werent even invented when he lived... racism wasnt a problem then,m becouse the word racism did not exist!

-- Anonymous, November 29, 2004

i got a esearch paper due and i got a lil info thanks alot

-- Anonymous, December 03, 2004

The Murders in the Rue Morgue” (1841) Summary An unnamed narrator begins this tale of murder and criminal detection with a discussion of the analytic mind. He describes the analyst as driven paradoxically by both intuition and the moral inclination to disentangle what confuses his peers. He adds that the analyst takes delight in mathematical study and in the game of checkers, which allows the calculating individual to practice the art of detection—not only of the moves integral to the game, but also the demeanor of his opponent. The narrator argues, however, that analysis is not merely ingenuity. He states that while the ingenious man may, at times, be analytic, the calculating man is, without fail, always imaginative.

The narrator then describes the circumstances in which he met a man named C. Auguste Dupin. Both men were searching for the same book at an obscure library in the Rue Montmartre, in Paris, and began to converse. Soon, they became friends and decided to share the expenses of a residence together. The narrator then relays an anecdote illustrating Dupin’s brilliant powers of analysis: one night, while walking together, Dupin describes an actor whom the narrator is pondering. Amazed, the narrator asks Dupin to explain his method, and we witness Dupin’s capacity to work backward and observe the importance of seemingly insignificant details in order to reach ingenious conclusions. Soon thereafter, the narrator and Dupin read newspaper headlines about a horrible murder in the Rue Morgue. One night at three a.m., eight or ten neighbors of Madame L’Espanaye and her daughter, Mademoiselle Camille, wake to shrieks from their fourth-floor apartment. The neighbors hear two voices, then silence. The neighbors and two policemen finally break into the locked apartment to find utter disorder and multiple pieces of evidence of a crime, including a blood-smeared razor, locks of gray human hair, bags of money, and an opened safe. They find no traces of the older woman. However, the noticeable traces of soot in the room lead them to the chimney, where they find the corpse of Mademoiselle Camille. They reason that the murderer must have choked Camille to death and then thrust her body up into the chimney. Expanding the search, the neighbors and police discover the body of Madame L’Espanaye in a courtyard in the rear of the building. They find her badly beaten, with her throat severely cut. When the police move the body, in fact, her head falls off. The 4,000 francs that Madame L’Espanaye had just withdrawn from the bank are still in the apartment, ruling out robbery as a motive for the grisly crime. The newspaper then recounts the depositions of witnesses concerning the voices they heard. They all agree that they heard two voices: one, a deep Frenchman’s voice; and the other, a higher voice of uncertain ethnic origin, though speculated to be Spanish. The gender of the second speaker is uncertain. The same newspaper reports the findings of the medical examiner, who confirms that Camille died from choking and that Madame L’Espanaye was beaten to death with immense violence, most likely by a club. The evening edition of the paper reports a new development. The police have arrested Adolphe Le Bon, a bank clerk who once did Dupin a favor. With the arrest of Le Bon, Dupin becomes interested in pursuing the investigation and obtains permission to search the crime scene. Dupin is eager to survey the setting because the newspaper reports portray the apartment as impossible to escape from the inside, which makes the case so mysterious. Dupin suggests that the police have been so distracted by the atrocity of the murder and the apparent lack of motive that, while they have been attentive to what has occurred, they have failed to consider that the present crime could be something that has never occurred before. Producing two pistols, Dupin reveals that he awaits the arrival of a person who will prove his solution to the crime. Dupin also names those elements of the crime scene that he believes the police have mishandled. For example, the shrill voice remains unidentifiable in its gender and its nationality, but it also cannot be identified as emitting words at all, just sounds. He also explains that the police have overlooked the windows in the apartment, which operate by springs and can be opened from the inside. Though the police believe the windows to be nailed shut, Dupin discovers a broken nail in one window, which only seemed to be intact. Dupin surmises that someone could have opened the window, exited the apartment, and closed the window from the outside without raising suspicion. Dupin also addresses the mode of entry through the windows. The police imagine that no suspect could climb up the walls to the point of entry. Dupin hypothesizes that a person or thing of great agility could leap from the lightning rod outside the window to the shutters of the window. Dupin surmises that no ordinary human could inflict the beating that Madame L’Espanaye suffered. The murderer would have to possess superhuman strength and inhuman ferocity. To satisfy the confusion of the narrator, Dupin points out that the hair removed from Madame L’Espanaye’s fingers was not human hair. After drawing a picture of the size and shape of the hand that killed the two women, Dupin reveals his solution. The hand matches the paw of an Ourang- Outang. Dupin has advertised the safe capture of the animal, news that he believes will draw out its owner. Dupin adds that the owner must be a sailor, since, at the base of the lightning rod, he found a ribbon knotted in a way unique to naval training. When the sailor arrives, Dupin draws his pistol and demands all the information he knows about the murders. He assures the sailor that he believes him to be innocent. The sailor describes how the animal, grasping a razor, escaped from its closet one night and disappeared from his apartment. The sailor followed the Ourang-Outang and watched him climb the lightning rod and leap into the window. Because he does not possess the animal’s agility, the sailor could only watch the animal as it slashed Madame L’Espanaye and choked Camille. Before escaping the apartment, the animal threw Madame L’Espanaye’s body to the courtyard below. The sailor thus confirms the identity of the mysterious voices—the deep voice was his own, and the shrill shrieks were that of the Ourang-Outang. When informed of Dupin’s solution, the police release Le Bon. The prefect is unable to conceal his chagrin at being outwitted by Dupin. He is happy to have the crime solved, but he is sarcastic, rather than grateful, about Dupin’s assistance. Dupin comments, in conclusion, that the prefect is a man of ingenuity, not analysis. Analysis “The Murders in the Rue Morgue” introduces a new genre of short fiction to American literature: the detective story. The detective story emerged from Poe’s long-standing interest in mind games, puzzles, and secret codes called cryptographs, which Poe regularly published and decoded in the pages of the Southern Literary Messenger. He would dare his readers to submit a code he could not decipher. More commonly, though, Poe created fake personalities who would send in puzzles that he solved. “The Murders in the Rue Morgue,” along with the later story “The Purloined Letter,” allows Poe to sustain a longer narrative in which he presents seemingly unsolvable conundrums that his hero, M. Auguste Dupin, can always ultimately master. Dupin becomes a stand-in for Poe, who constructs and solves an elaborate cryptograph in the form of a bizarre murder case. Poe’s life is also relevant to “The Murders in the Rue Morgue.” The tale’s murders involve two women, and Poe spent his adult life with his wife, Virginia, and his aunt, Maria “Muddy” Clemm. The deaths of women resonate with Poe’s early childhood experience of watching his mother die and Francis Allan suffer. The chaotic and deathly Rue Morgue apartment symbolizes the personal tragedies involving women that afflicted Poe’s life. Poe contrasts the violent disorder of Madame L’Espanaye’s household with the calm domesticity that Dupin and the narrator experience. Poe never found, in his lifetime, this sort of household solace, and he invests this scene of domestic ruin with the poignant experiences of his own life. The creation of Dupin allows Poe not only to highlight his own remarkable cunning, but also to share in the domestic tranquility and fraternity that he long sought. “The Murders in the Rue Morgue” also relies on the role of the narrator as Dupin’s friend. Poe chooses not to use Dupin as a narrator in order to provide a sense of detachment from the workings of the mind that the story describes. The narrator’s role as a foil enhances Dupin as the detective hero. The narrator admires Dupin and prompts him to elicit his analysis, which always astounds the narrator. He allows himself to be outwitted by Dupin, thereby demonstrating that Dupin thinks one step ahead of both the police and the average reader. Accompanying Dupin to the crime scene, the narrator ostensibly witnesses the same evidence, but needs the explanations of his friend in order to see the true nature of the evidence and to understand its part in the larger puzzle. Part of Dupin’s brilliance is his ability to separate himself from the emotional atrocity of the crime scene. The police become distracted by the sheer inhuman cruelty of the scene, but Dupin is able to look beyond the violence and coolly investigate the small details that otherwise go unnoticed. The decapitation of Madame L’Espanaye is just one ghastly example that, according to Dupin, draws the police away from solving the crime. For all of Dupin’s rationality and cunning, though, the actual explanation of the crime is, by all accounts, ridiculous—the Ourang-Outang did it. It is difficult to discern whether he intended this solution to be humourous. If the story is to be construed in some way as a joke—the detective story was too young at this time to be parodied—it is a joke told with the straightest of faces. Poe’s tendency to exaggerate gets the better of him in his effort to illustrate the analytic contrasts between Dupin and the Paris police. One can argue that Dupin’s brilliance is ultimately overshadowed by the need to import a wild animal into the solution to the crime. Dupin gets the case right, but Poe may, in fact, go too far in exaggerating the power of his protagonist’s reasoning.

-- Anonymous, January 18, 2005

i just wrote a book-report useing this site, got an "A" and instead of reading i hungout with my friends ty.

-- Anonymous, January 31, 2005

Moderation questions? read the FAQ