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B&W Photo - Film & Processing question and answer forum
THIS FORUM HAS MOVED TO PHOTO.NET (Brian Mottershead)
What is happening with the forums. (Ed Buffaloe)
Developing & Septic Tank (Pat Butler)
Pushing hp5 in Clayton F60 developer (Fred Turko)
Delta 400 or HP-5Plus? (Don Karon)
What are the steps of processing film? (Shabnam Modhi)
Any More X-tol failures? (Eric Verheul)
Forum Move (Ed Buffaloe)
Schenider Symmar S (Bruce MacDougall)
Camera Insurance (Stephie)
New Delta 400 in PMK (Xosni)
pyro development and btz tubes (howard b. schwartz, m.d.)
NEGATIVE REDUCTION (ricardo)
I want to start taking pictures, preferably black and white, where should I start? (Clara Bereuter)
Question re: Rodinal, Ascorbate & T-Max100 (Ben Crabtree)
Printing problem with Epson. What am I doing wrong? (Gabe)
developing film (ben albrecht)
Colour negs. (Patrick Doyle)
Loading Infrared into processing tank (Steevens Alconcel)
effects of developer dilution (Ben Crabtree)
digital neg (middle)
Durst M370 "Graduate" or Meopta Opemus 6, Which is better ? (Wang-hua Li)
How would one go about achieving this sort of effect in a photo??? (Zach)
Processing old super-xx 35mm film (Britton Baine)
processing negatives (nikol)
Making traditional internegatives. (James Chinn)
how to build a darkroom cheaply (amy king)
T-Max 400 120 film (James Webb)
FG7 and Sodium Ascorbate (Ted Kaufman)
BTZS and Meter Callibration (Walter Glover)
"creamy" skin tones? (Ben Crabtree)
B&W results disappointing - developing error? (mli)
Streaks on film! (Travis koh)
increase gloss on photo papers (patrick locke)
What went wrong (Jeff Headley)
Ascorbic acid/Metol developer query (Howard Posner)
Water marks....FOREVER. (Travis koh)
Inkjet negative (Eugene Safian)
Processing TMax with Ifosol S (eric henhaffer)
Transparencies from prints (Robert Thomas)
Dirty Film (John)
B&W Photography Periodicals (Xosni)
Print problem (Phil Joycey)
silver recovery (dave s.)
cost of developing 126 film (john mesh)
Best way to bring out contrast?? (Richard)
Rental & Public Use darkrooms (Shel Belinkoff)
prints from 16mm movie film (Steve Scott)
Dry Photo Chemicals (Salty)
Dust mask for chemical mixing (James Chinn)
Purple negitives using B&W film (Jason Eldridge)
Acufine & Microphen (ricardo)
How to set up a darkroom rental space? (Chris A.)
Does Rodinal become more potent with age? (Michael Veit)
Film developing problem (Micah Gatz)
good printing lab on the west coast (Josh Randall)
Response to Divided Developer Quandry (John Henry)
Meausring Film Densities (David Sinai)
pyro development times for all films (doug smith)
Mamiya dtl 35mm cameras (Justin Fullmer)
prints from 35mm slide (Matthew Egan)
VP to be discontinued (Walter Massa)
Wiping/drying film (Armando Conti)
Wiping film after rinse (Armando Conti)
Protonix recalibration (Ann Clancy)
Looking for best price 16x20 BW prints from neg (Chris Connor)
Please don't flame me but I've nowherewlse to go! (Don M)
SFX 200 (Dan Bruner)
Vario-Switar lens (Janet Morley)
Michael Smith/Paula chamlee Azo contact Printing Workshop Is On...Interested? (Todd Frederick)
Demise of Greenspun.Com Imminent (Ed Buffaloe)
Infra Red and Dev Tanks (Gary Holliday)
Gelatine Silverprint (Melinda)
Glycin shelf life (George Paltoglou)
purple stain on negs (George Paltoglou)
Newbie LF questions (Murray Leshner)
A question regarding the forum maintainer's duties. (Ed Buffaloe)
New email address (Sal Santamaura)
processing 400 film to 1600 (Don Rush)
Agfa May Cut as Many as 4,000 Jobs in Next 15 Months (Russell Brooks)
Developing with STUDIONAL (Richard Fulop)
Building my own darkroom. (Chalie Beatty)
Best way to get prints from an negative with rings (David Tolcher)
Censorship on this news group (Volker Schier)
120 Tech Pan and Dixactol (David Tolcher)
Kodak high speed IR film (Brian Connett)
Why need cameras? (Tibor)
TX vs TXP (r)
How much developer in a jobo tank 1520... (Stephane Thao)
Selling B & W prints (Sajjad)
Orbit Bath (David Silvan)
Trouble shooting my processing (Terry Durden)
Beginner (Christina Marie LaMere)
Masking for 35 mm? (Howard Dvorin)
Chromogenic C41 B&W (David Mason)
16mm motion picture frame to still photo...can it be done? (Ken Dodge)
Film Developers (ricardo)
ABC+ Pyro Problem (Kent)
Gigabit vs. Tech Pan (Walter Massa)
A suggestion about finding a densitometer to use (Don Karon)
Development Chart 14 - Kodak T-Max 400 (Ed Buffaloe)
Darkroom Accident (Kenneth Eckert)
Unaccurate info on developers (Martín Crovetto)
New Delta 200 (Martín Crovetto)
Earth Friendly Development Processes (Steven DeWitt, Jr.)
Michael A. Smith & Paula Chamlee print presentation, lecture & book signing... UTAH (Dan Smith)
New Freestyle B/W Chemistry - Anyone try it yet? (J. Riehl)
question about roll with topless girl on it (chris peterson)
Basic Darkroom Questions (Shelley Levine)
Negative to Positive Duplication (Nick Pullen)
Darkroom Questions (Shelley Levine)
How to develop new Kodak film...Cosmor 400 ? (Vicki Greer)
Print sizes and borders (Omar Ozenir)
Basic paper developing question... (Tricia Bassett)
Photography (Caroline McLeary)
Watson 66 bulk film loader (sam smith)
Paper Development Chart - Kodak AZO (Jeff Rivera)
Color film printed as black and white? (Carolyn Leonard)
Computrol film loader (Chris Latty)
hollywood black and white developing (Elie Seidman)
B&W mailing list archive (xosni)
Substitute for Sodium Sulfite? (Jeff Rivera)
Should paper ratio dictate film formats? (Thomas Loizeaux)
Subjects in bar-Lighting (Miriam Lara)
Book Question - Ilford Monochrome Darkroom Practice (Omar Ozenir)
XTOL; 100ml or more? (Wayne Crider)
PRINTS FROM SLIDES (WILLIAM W. AUSTIN)
thin delta 3200 negatives (brad daly)
Orthochromatic Film (chuck k)
Dektol and Ilford MGIV RC Deluxe (John Kilmer)
Bracketing (Marielle Otto)
Low dollar proofs for C41?? (John Curtis)
prints came out grey? (Louise Garcia)
Need help finding a book (Louise Garcia)
Ilford Polypan F Professional (Jan Jedlicka)
Traveling tips (Christopher Slye)
Xtol development time (graham)
Light Leak - Film Handling? (Nigel Smith)
Bessler 23cII Black and Blue? (Mark)
How to get started (Jay Dooley)
Microdol-X 1+3 (Stavros V.)
technical question? (Philip Vahab)
Thank you (Nauman Saghir)
RATING FILM: thank you all so very much (DONNA DEBACCO)
"silver prints" (Stavros V.)
Categories (Ed Buffaloe)
New Moderator (Ed Buffaloe)
My New Job (& how it will affect B&W World) (Mason Resnick)
Meet me at PhotoPlus (Mason Resnick)
darkroom workshops (carol maurin)
Brown/Poly toning help (Photographic Paper Question) (Robert W Boyer)
Have you done any tests or experiments in the darkroom? (Josh Randall)
stupid brown toner question (Photographic Paper Question) (Robert W Boyer)
Beginner looking for an Online Photography (B&W) class (Kimberly)
contact printing to make a positive (Terry Lingle)
pull successfull? (shreepad)
Hamish Fulton (Sean yates)
What is black and white film/photography? (Holly Fasnacht)
An Opinion... (Todd Frederick)
What is a Silver Gelatin print ? (Terry Lee)
A Business Opinion (Jim Maher)
Correction to the post below - Boat night pictures (Jeff Riehl)
Boat Night Pictures (Jeff Riehl)
New B&W printing (Jin Kim)
Fill flash (Don Karon)
help i am a beginner (thomas andeson)
Orthochromatic Film (Charlie Strack)
Oriental New Seagull G (Photographic Paper) (Stavros Vogiatzis)
Proof sheets (Neal Wilkinson)
having problem with the sharpness (paper developing) (Engin Kwamark)
Paper and Developer - Establishing my style (Joe Lacy)
old negatives (Fred Hemley)
New Forum: People Photography (shawn gibson)
Ilford Multigrade Filters Fading!!!??? (Christian Harkness)
Quality of Agfa's Customer Service (Thomas Wollstein)
KEEP IT UP/this is not a question (hamad sharif)
A suggestion... (Nigel Smith)
Announce: B&W World Buy/Sell/Trade forum! (Mason Resnick)
hypo clear for RC paper (Rosane Zenha)
High Altitude Light (Sam)
grey scale (Karen Burgess)
process of developing black and white photos (katja karau)
When taking portraits (Max Power)
Neg spot not dust (linda cooper)
best format for submitting photographs? (gail howard)
Where to make print off B/W negatives? (Jay.)
fiber base paper Big deal? (Shreepad)
Suggest me some good subject (Shreepad Joglekar)
variables involved in value-shifts of a dried print (shawn gibson)
New Jersey Workshops (carol maurin)
Toning mistake--how to duplicate or re-create (paper question) (shawn gibson)
ANNOUNCE: Photohighway.Com (Mason Resnick)
Positive B+W Paper? (Michael Haas)
Stage photography (David)
Black & white printing (Kitty Tse)
Beginner developerI wants whiter whites and blacker blacks. (Greg Brosnan)
Using a flash w/ Yashica A (Brad Atchsion)
B&W Only Labs (David M. Tibbs)
Enlarge my negative, is that possible? (Marcelo Duque Cesar)
B&W School? (Gail McKenna)
Any Information on How to Tintypes (Cindy Martinuk)
3 New Forums in B&W World! (Mason Resnick)
Printing negatives developed in PMK on variable contrast paper (Paul Nicholls)
RFC: New B&W World Discussion Forum? (Mason Resnick)
paper curl (peter white)
single weight paper (peter white)
Gathering Place for Medium and Large Format Photography (Ron)
Mailing list (Hasan Ali)
Free Chat Area (David Norcross)
thanks for everybody's help (michael J. Howser)
help with portfolio (michael howser)
Help! (Justin Lee Slone)
Back to Film Basics (Grant A. Thompson)
RC vs. FB again
Any high school photo teachers out there? (A. Perkins)
I need help with screening (Holly)
shadow picture taking (Felix Rizo)
jobs in photography (michael j howser)
interest in photo contest (michael j howser)
Forum Changes (Mason Resnick)
Any Photo Educators Out There? (Mason Resnick)
You are all wonderful! (linda cooper)
Richest Black tone in RC paper (Kevin On Man Lee)
Should there be a B&W World Photo Contest? (Mason Resnick)
info on current jobs in photography (Michael J Howser)
oops with spotone (jpbatt)
need a developer-b&w-fiber (blue street)
Hypo and Hope! (Print Processing) (Albert H.)
photographing lazers w/ mirrors and fog (Eric Mathis)
cornfield paper grader (mike smith)
correct e-mail (Mauricio M. Falcao)
Sepia tones (Mortimer Alzona)
toners that work on plastic paper? (RC Paper question) (ulisse p)
hm... incident or reflected light? (Metering Options) (noel)
ANNOUNCEMENT: B&W Bookstore Grand Opening (Mason Resnick)
Welcome! (Mason Resnick)
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