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Response to Best film/developer combo for crisp mid-tone separation?

from Ryuji Suzuki (rsuzuki@rs.cncdsl.com)
Plus-X in D-76 1+1 at 20C. APX100 and FP4+ aren't bad at all either, but I like the midtone of PX the best.

TMX when used appropriately gives you very good midtone and nice clear highlights.

(posted 8133 days ago)

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